In modern times, the focus of discussions regarding Cho Ramaswamy’s plays has revolved primarily around ‘Muhammad bin Tughlaq’, with scant attention paid to his other works. Furthermore, his contributions as a film artist have faded into obscurity. Nevertheless, his roles as a newspaper editor, political commentator, and spiritual writer have experienced a surge in interest in recent years. Strangely, there seems to be a shortage of literature exploring his cinematic and theatrical contributions. Thus, I have taken it upon myself to embark on this task as a tribute to Shri Cho Ramaswamy, whom I hold in high esteem as my mentor.